Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Dancers Climbing the Stairs oil painting


Dancers Climbing the Stairs
1886-90 Museum d'Orsay, Paris
Painting ID::  794 		Edgar Degas
Dancers Climbing the Stairs
1886-90 Museum d'Orsay, Paris
   
   
     
Edgar Degas Ballet at the Paris Opera oil painting


Ballet at the Paris Opera
1877-78 The Art Institute of Chicago
Painting ID::  795 		Edgar Degas
Ballet at the Paris Opera
1877-78 The Art Institute of Chicago
   
   
     
Edgar Degas The Rehearsal oil painting


The Rehearsal
1877 23" x 33" Glasgow Museum of Art
Painting ID::  796 		Edgar Degas
The Rehearsal
1877 23" x 33" Glasgow Museum of Art
   
   
     
Edgar Degas Dancers in Pink_f oil painting


Dancers in Pink_f
1880-85 Hill-Stead Museum, Farmington
Painting ID::  797 		Edgar Degas
Dancers in Pink_f
1880-85 Hill-Stead Museum, Farmington
   
   
     
Edgar Degas Ballet Class oil painting


Ballet Class
1881 Philadelphia Museum of Art
Painting ID::  798 		Edgar Degas
Ballet Class
1881 Philadelphia Museum of Art
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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